Ira Greenberg treats himself like a computer. His is the art + science of using coding as a paintbrush and exploring the iterative process of creation. Working generatively, Ira creates art using code and algorithms that are art themselves. The self-dubbed “coding evangelist” believes that coding is the creative mode of our time.
While he has two degrees in painting Greenberg decided he wanted to start working with software for art-making. But he found the shrink-wrapped variety wouldn’t do, and he decided to teach himself coding so he could work creatively at the level of math and algorithms. Now, he’s spent 25 years working to figure out the physical disconnect of the computational medium versus painting.
The intersection of art + science is not a place to which a map can be drawn. Its practitioners won’t give you a neat definition of the field or summarize the nut graph of its literature.
They will tell you that it’s not about answering the question, “What is art + science?” It’s about asking it. And then immersing yourself in the virtual space of discovery that follows. Taking notes on the journey between the asking and the answering. It’s also about learning to ask really good questions…
Every July writers come from all over the U.S. to join the Mayborn Literary Nonfiction Conference. See themayborn.com for more details. –>
[Image: Josh Butler outside the Campu Theater marquee. Photo by Amelia Jaycen]
When Josh Butler took an energetic leap of faith toward his dream, he didn’t exactly land on his feet. It was more like a really bummed film junkie who landed in bankruptcy court. Staring at the floor he shook his head, “Why! Why did we just have to have limos for all the filmmakers?”
Making the great Texas film festival was going to take more than spastic enthusiasm, but Butler learned his lesson: Don’t spend money you don’t have. The festival and the nonprofit he created to run it, Texas Filmmakers Association, survived intact while he swallowed a $40,000 debt. But since that 2007 Thin Line Film Fest left him broke, the festival has nearly doubled its revenue each year.
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